Stanley Park welcomes 2019 EVO Summer Cinema

EVO Summer Cinema outdoor movie series returns to Second Beach in Stanley Park. Tuesday nights from July 2 to August 20, 2019, the the Grand Lawn at Ceperley Field becomes a free public cinema.  

Free seating for up to 5000 people is available on a first-come, first-seated basis, around the meadow. Bring your own low-profile lawn chair, beanbag chair, yoga matt, blanket, or buy a blanket from the Fresh-Air Cinema Snack Bar, and join in the fun.  

Upgrade your movie date night to one of 200 Reserved VIP Gold Circle Seats, available in a Adirondack cottage-chair placed in the front row of the cinema. Book ahead or take the chance on rush seats being released the Monday prior to the film.

Why not make it dinner and a movie? Packages with a three-course meal from one of the West-End’s many restaurants + VIP Gold Circle seating are also available.

Bike Valet is onsite for those who peddle to the park. Food trucks and pre-show activities keep patrons entertained while waiting for the films to begin, at dusk. Before the show begins, the EVO Summer Cinema Marketplace brings a selection of carefully curated local artisans and vendors to the cinema meadow each week.

The 2019 EVO Summer Cinema line-up of fan favourite flicks is: (note movies begin after sunset, times are approximate)

Wayne’s World
Tuesday, July 2
95 minutes
Sunset: 9:20pm

Beetlejuice
Tuesday, July 9
94 minutes
Sunset: 9:15pm

Shrek
Tuesday, July 16
90 minutes
Sunset: 9:10pm

Sleepless In Seattle
Tuesday, July 23
106 minutes
Sunset: 9:05pm

Moulin Rouge!
Tuesday, July 30
130 minutes
Sunset: 8:55pm

Finding Nemo
Tuesday, August 6
100 minutes
Sunset: 8:45pm

Harry Potter and The Prisoner of Azkaban
Tuesday, August 13
143 minutes
Sunset: 8:30pm

Jurassic Park
Tuesday, August 20
126 minutes
Sunset: 8:20pm

See you at the cinema!

DOXA Awards 2019

The DOXA Documentary Film Festival wrapped up for another year last weekend with a closing night screening of Hepi Mita’s Merata: How Mum Decolonised the Screen.

After screening 82 films from around the world the adjudicators determined the recipients of the 2019 DOXA Awards.  The three awards were presented prior to the closing screening and went to the following recipients; 

Call Me Intern: directed by Nathalie Berger and Leo David Hyd

Nigel Moore Award for Youth Programming was presented to Call Me Intern, directed by Nathalie Berger and Leo David Hyde. Jury members Anna Hetherington, Steven Hawkins, Jacob Saltzberg, Maya Biderman and Teagan Dobson stated of the film: “Call Me Intern’s raw, unfettered depiction of the struggle to break into industry is both poignant and devastatingly familiar for millennials like us today.”

Time Is Out Of Joint: by Victor Arroyo

DOXA Short Documentary Award went to Victory Arroyo’s Time is Out of Joint . Jury members Aaron Zeghers, Joella Cabalu and Ananya Ohri awarded the film for its “unconventional style and approach that pushes the tradition of documentary storytelling into new territory.” The jury also awarded an Honourable Mention to Haven directed by Colin Askey “for its sensitive and humanizing approach on a life-changing resource in the midst of an urgent crisis.”

nîpawistamâsowin: We Will Stand Up : by Tasha Hubbard

Colin Low Award for Canadian Documentary was given to Tasha Hubbard’s nîpawistamâsowin: We Will Stand Up. Jury members Leon Lee, Peg Campbell and John Bolton described the film: “Focusing on the Boushie family’s fight for justice in a rigged legal system, past treaty betrayals, and the legacy of residential schools – the film demonstrates the resilience and strength needed to make a safe future for Indigenous children.” “For its ambition, its stark aesthetic, and its compassionate yet unflinching approach to its subject matter of humanity crushed by capitalism, corrupt government and organized crime”, the jury also awarded an Honourable Mention to Julien Elie’s Dark Suns.

Greetings From Free Forests : by Ian Soroka

DOXA Feature Documentary Award was presented to Ian Soroka’s Greetings From Free Forests. Jurors Gregory Coyes, Sean Farnel and Michèle Smolkin said of the film: “The measured, cinematic beauty of these mountain forests, and their vast, underlying limestone caves, revealed a receptacle for both personal memories, and dramatic human history.” Honourable Mention was also given to Hassan Fazili and Emelie Mahdavian’s Midnight Traveler for its “courageous and genuine storytelling”. The jurors were impressed by “the filmmaker’s attempt to escape persecution from his own country and to find a safe haven for his family.”

The DOXA Festival team take some well deserved time to unwind and debrief before they start to work on DOXA 2020 and a new line-up of great films from around the world

DOXA Documentary Film Festival reveals 2019 line-up.

This week, DOXA Documentary Film Festival, announced its 2019 festival line-up. Western Canada’s largest documentary Film Festival, returns to Vancouver for the 18th annual festival May 2 through May 12, 2019.  Committed to cultivating curiosity and critical thought, DOXA will bring 82 films (shorts and features) from across Canada and around the world, to Vancouver screens, representing some of the very best in contemporary documentary cinema. 

Because We Are Girls

On May 3, DOXA kicks off with Baljit Sangra’s courageous new film Because We Are Girlswhich celebrates the strength of sisterhood in the face of profound pain and trauma. Because We Are Girls tells the story of three sisters from a conservative Indo-Canadian family coming to terms with the sexual abuse they faced by an older relative beginning in their childhood years. Vancouver-based Sangra explores the impact of sexual abuse on a family, turning her empathetic lens on intimate moments as they process and heal. 

Postings From Home

On May 4, DOXA hosts a special live documentary presentation Postings From Home by Toronto-based filmmaker Kelly O’Brien. O’Brien has taken the collective sharing of one’s personal life — now habitual on social media — and combined it with the 20th-century tradition of a family slideshow to create an emotionally affecting live performance. 

nîpawistamâsowin: We Will Stand Up

The gala screening of nîpawistamâsowin: We Will Stand Up on May 8 marks the 10-year anniversary of DOXA’s Justice Forum, a series aimed at creating space for open dialogue. Few events in recent Canadian history have sparked as much media attention, outrage, and horror as the death of Colten Boushie, a young Cree man from the Red Pheasant First Nation who died after being shot in the head on Gerald Stanley’s farm. Indigenous filmmaker and scholar Tasha Hubbard goes beyond the headlines to present a detailed examination of race relations on the prairies. 

Closing the festival on May 11, Hepi Mita’s Merata: How Mum Decolonised the Screen is a tender posthumous tribute to his mother Merata Mita, the first M?ori woman — and one of the first Indigenous women in the world — to write and direct a narrative feature film. DOXA is exceptionally proud to close the festival with this extraordinary film about a visionary artist, activist and mother. 

Between these special features and events, DOXA 2019 packs its eleven days with curated collections, industry events, films, talk-backs, panels, parties and much more

DOXA Documentary Film Festival runs May 2–12, 2019, at The Vancouver Playhouse, VIFF’s Vancity Theatre, The Cinematheque, The Post at 750, Museum of Vancouver, SFU’s Goldcorp Centre for the Arts. Find the full DOXA line-up and purchase tickets online at doxafestival.ca

5 Picks for PuSh Festival 2019

Every winter the PuSh International Performing Arts Festival brings together the world of Arts and Performance. This year’s 15th Annual PuSh Festival runs January 17th – February 3rd, 2019 and tickets are selling fast.  Don’t wait, check out the line-up and book your shows now.

The 15th Anniversary festival kicks off January 17th at The Beaumont Studios with a performance by D’BI, the free Opening Night Party, features djs, dancing and pop-up performances by Vancouver’s Kimmortal & Immigrant Lessons.

“We launched in 2003 as a three-show series that drew 2,500 people to 21 performances at three Vancouver venues,” says Roxanne Duncan, PuSh Festival’s Interim Executive Director. “The inaugural festival opened a short two years later in 2005. Now as we prepare to celebrate our 15th anniversary, PuSh has welcomed more than 300,000 people to 366 productions from 30 countries.”

The opening performance Attractor by DanceNorth Australia,  January 18th & 19th at Vancouver Playhouse
The show begins with two musicians and eight dancers onstage. Indonesian duo Senyawa plays music spiced with ritual and folk idioms from their native country while choreographers Lucy Guerin and Gideon Obarzanek work with Dancenorth Australia and the band to create a wild experience: as the music builds in power, the dancers increase their abandon and pre-selected members of the audience join in.

Some other highlighted picks for PuSh Festival 2019 include:

Marginal Consort by Marginal Consort (Japan) : January 20 at Performance Works
Four musicians, play a multitude of instruments, create ambient, heavily manipulated music, far apart and fully independent of each other.

PALMYRA by Bertrand Lesca and Nasi Voutsas (France/UK) : January 22–24 at Performance Works
Named after a Syrian city that has changed hands several times during the current fighting, this show slowly builds to the level of violence, creating and sustaining moral ambiguity along the way.

salt. by Selina Thompson photo: Bryony Jackson

salt. by Selina Thompson (UK) : January 24–26 at Roundhouse Community Centre
In this performance Selina Thompson recounts her journey along one stretch of the Transatlantic Slave Triangle route by cargo ship.

Bicycle Thieves by Joelysa Pankanea (Canada) : January 26 & 27 at Performance Works
A special commission for Push Festival, composer and musical director Joelysa Pankanea guides a group of six musicians and four actors as they provide live musical and voice accompaniment to director Vittorio De Sica’s landmark 1948 neorealist film Bicycle Thieves.

These are but a few of the international performances scheduled for the 2019 PuSh International Performing Arts Festival. Visit pushfestival.ca to find the full festival schedule and book your tickets and Push Passes now.

 

The Full Light Of Day is coming

Even though we’re still in the peak of the holiday entertainment season, we’re taking a look ahead at what’s to come in the new year. Coming in January, Electric Company Theatre, in association with the Banff Centre for Arts and Creativity, presents the world premiere of a provocative new work, The Full Light of Day, at the Vancouver Playhouse.

The Full Light Of Day
photo: Don Lee

The new work from Siminovitch prize-winning playwright Daniel Brooks, is directed by Kim Collier. The Full Light of Day is a suspenseful and compelling hybrid of theatre and film in which a terminally ill woman confronts the choices that brought her family privilege; and then, takes a risk to secure their ultimate redemption. Utilizing 14 live-streaming cameras, state-of-the-art projections and film, The Full Light of Day immerses audiences in rich cinematic cityscapes, intimate inner lives, and invites them to reimagine the limitations of live theatre.

“Other than the weather, real estate may well be our country’s most frequently discussed topic. In this work, we dive deeper – and consider the consequences of a society grown obsessed with property and possession,” says Director Kim Collier, who, like playwright Brooks, is also a winner of theatre’s highest honour, the Siminovitch Prize. “Consequently, it raises questions about the very nature of land ownership. How can we own land? Land owns us. It is us. Paradoxically, by using live-streaming cameras and an enormous array of projection technologies, audiences will be able to feel an innately rich and intimate connection to our characters’ inner lives and truly experience that pang of self-recognition in the stories reflected onstage.”

The Full Light Of Day
photo: Don Lee

Complementing the stage production, Electric Company Theatre Co-Founder Kevin Kerr has created a collection of short films shot in 360° Virtual Reality. The works can be viewed separately from the theatre production or experienced at special installations located throughout the Vancouver Playhouse lobby. These films are told from the perspectives of individual characters, placing the viewer inside their actions and perceptions. The films will be available to the public for free viewing in the Playhouse lobby during the afternoons prior to performances of The Full Light of Day.

The Full Light of Day runs January 7 – 12, 2019 at The Vancouver Playhouse, 600 Hamilton Street. For showtimes and tickets visit electriccompanytheatre.com

Free Film Screening of Miscellaneous Productions “Monsters”

Vancouver’s MISCELLANEOUS Productions is a non-profit, charitable society using art as a path for social change and personal transformation in culturally and socially at-risk youth – empowering them to be fully participating citizens.

Monsters
pic Chris Randle

Last year, the company debuted, Monsters – an anti-racism, anti-bullying play with hip hop and World music and dance. Funding from Heritage Canada allowed for MISCELLANEOUS Productions to document the production on film, which is making its Vancouver debut November 8th. Screening in Canadian communities this fall, the film forms the basis of dialogues and performing arts workshops with/for culturally and socially inclusive multi-barriered youth.

Monsters is a transdisciplinary musical theatre work loosely based on Mary Shelley’s Frankenstein. It explores how and why a community creates and supports a ‘monster’, how collusion functions, and how people are often attracted to individuals with loud, brash, forceful or aggressive personalities but are unaware of how incredibly damaging they can be.

Monsters premiered in October of 2017 at the Scotiabank Dance Centre. Following the Vancouver opening of Monsters, components of the production toured to Catalonia in November 2017.

Ghosts of Productions Past
pic: Chris Randle

On Thursday November 8th, MISCELLANEOUS Productions is holding a FREE screening for the Vancouver film premiere of Monsters, at The Annex, 823 Seymour Street.  The Monsters film screening will be preceded by MISCELLANEOUS Productions’ 5-minute short film, Ghosts of Productions Past. Making its World Premiere, the short is a new and nasty feminist satire of the whiteness of the Canadian theatre scene, #MeToo, #TimesUp and the recent disturbing events at various North American theatre companies.  

MISCELLANEOUS Productions’ Free Screening of Monster, with Ghosts of Productions Past, takes place November 8, 2018 at 7pm. Doors open at 6pm, admission is free but seating is limited.  Due to scenes of violence, the screening is not recommended for children 12 or under. 

VIFF 2018 is underway!

The Vancouver International Film Festival (VIFF) is now on, lighting up screens around the city until October 12, 2018.

The 37th edition of VIFF brings hundreds of films from around the globe, and around the corner to Vancouver cinemas.  Award-winning Hollywood star-power rubs shoulders with independent local BC features, while foreign language films join the first feature told in the Haida language.

The Festival kicked off last night, September 27th with award-winning Canadian director Kim Nguyen’s The Hummingbird Project starring Jesse Eisenberg, Alexander Skarsgård, and Selma Hayek.   On October 12th, VIFF closes with Jason Reitman’s The Front Runner, starring Hugh Jackman, a biography chronicling the rise and fall of 1988 Presidential candidate Gary Hart.  In the weeks between opening and closing films; talkbacks, panels, special events, features, awards and much more fill out the Festival’s days and nights.

Some of the special presentations and features are:

The Old Man & the Gun – September 29 at The Centre
What may be Robert Redford’s final film, The Old Man & the Fun is based on the true story of Forrest Tucker (Redford), charting his escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Also stars Sissy Spacek and Casey Affleck

Creator Talk: Michael Schur – September 30 at The Rio Theatre
A fascinating session with Michael Schur, one of comedy’s best TV writers (The Good Place, Brooklyn Nine-Nine, The Office).

Tribute Award: Jean Marc Vallée – October 2 at Vancouver Playhouse
Celebrate the accomplishments of Canadian filmmaker Jean-Marc Vallée (Big Little Lies, C.R.A.Z.Y.) with a screening of the premiere episode of the Vallée directed, Sharp Objects, starring Amy Adam.  An ‘in conversation with’ the Emmy winning director follows the screening.

BC Spotlight: SG?aawaay ?’uuna (Eng: Edge of the Knife) – October 3, 6:15pm  at Vancouver Playhouse
Filmed on Haida Gwaii, the first feature film spoken only in Haida dialects, and set in the 19th Century, Edge of the Knife tells a classic Haida story of the traumatized and stranded man transformed to Gaagiixiid, the wildman.

Sustainable Production Forum Keynote Speaker: Adrian Grenier – October 5 at Vancity Theatre
Dedicated to greening the film industry the two day Sustainable Production Forum gets underway with a keynote on the conference’s theme “Transforming Culture” from actor Adrian Grenier.

Bethune: The Making of a Hero – October 5, 6:00 pm  at Vancity Theatre
A special screening of the first Canadian/Chinese co-production, Phillip Borsos’s Bethune: The Making of a Hero stars Donald Sutherland in the title role of the Canadian Doctor renowned in China for bringing modern medicine to rural communities.

Boy Erased – October 6, 9:15pm at Vancouver Playhouse
Based on the memoir by Garrard Conley, Boy Erased is written and directed by Joel Edgerton, who also stars alongside Lucas Hedges, Nicole Kidman, Russell Crowe, and Edgerton, and follows the son of Baptist parents who is forced to take part in a gay conversion therapy program.

Vancouver International Film Festival runs September 27 – October 12, 2018 at various screens in downtown Vancouver.
Single Tickets and Ticket Packs are on sale online or in-person at the Vancity Theatre Box Office from $13 to $22. VIFF membership (from $2) is required to view any screening.