Dance House Closes One Season, Announces A New

To close out the 2018-19 season, DanceHouse welcomes the Canadian premiere of MOMIX : Viva MOMIX, on April 12 & 13, at the Vancouver Playhouse. The US company, helmed by acclaimed Artistic Director Moses Pendleton, one of America’s most innovative choreographers and directors, MOMIX is revered for its ability to conjure a surreal world using props, light, shadow, humour, and the human body. Viva MOMIX celebrates the best of more than three decades of works, with a selection of company favourites mixed with three new creations.

MOMIX : Viva Momix photo: Charles Paul Azzopardi

“Vancouver dance lovers will undoubtedly be blown away by this beguiling tour de force of illusion, beauty, and magic,” says Jim Smith, Artistic and Executive Director of DanceHouse. “Viva Momix is a collection of Pendleton’s most unforgettable works. It is a masterpiece of ingenious theatrical creativity, combining superb physicality, whimsical costumes, and stunning music. I can think of no better way to close our 2018/19 season than with this evening of unforgettable beauty and pure unadulterated enjoyment for all ages.”

MOMIX : Viva Momix photo: Eddy Fernandez

Developed in 2015 in honour of MOMIX’s 35th anniversary season, Viva MOMIX features stunning vignettes from six of their previous productions: MOMIX in Orbit, Botanica, Lunar SeaReMIX, Classics, and Opus Cactus, alongside scenes from three new works — Daddy Long LegLight Reigns, and Paper Trails. Praised for its visuals and theatrics, Viva MOMIX will transport audiences on a journey into a surreal fantasy. The nine gifted artists shape their bodies into creations of the natural world that are sure to tease the audience’s imagination with wonder and a glorious sense of play.

As the current season closes, DanceHouse has unveiled its 2019/20 season. Showcasing the work of four new companies to DanceHouse audiences and two returning favourites, the season runs from October 2019 through May 2020. This season’s offerings highlight an diverse range of pioneering artists who are transforming traditional dance styles with boundary-blurring fusions of genres and cultures.

“Dance is a vibrant art form that is constantly evolving. We are delighted to share a curated lineup of world-class dance companies at the vanguard of their respective fields in our 2019/20 season,” says Jim Smith, Artistic and Executive Director of DanceHouse.

This season, new additions to the DanceHouse stage include Bangarra Dance Theatre, one of Australia’s leading Aboriginal and Torres Straight Islander dance companies performing Spirit, a powerful collection of dance stories selected from their 30-year repertoire; Montreal-based arts collective The 7 Fingers in collaboration with Artcirq of Igloolik and Taqqut Productions of Iqaluit with Unikkaaqtuat, an innovative work that melds ancestral Inuit practices with circus arts; Montreal’s explosive RUBBERBANDance Group showcasing their dynamic blend of break-dancing, ballet, and dance theatre in Ever So Slightly; and Spain’s iconoclastic Compañía Rocío Molina’s reinvention of flamenco dance in the virtuoso tour de force Fallen from Heaven (Caída del Cielo).

DanceHouse welcomes back audience-favourite and internationally acclaimed Brazilian company Grupo Corpo in a mixed program featuring Gira, a dazzling homage to dance as a conduit to the divine. Finally, following their crowd-pleasing appearance in Vancouver in 2018, the New York-based tap dance sensation Dorrance Dance will return with ETM: Double Down, a rollicking celebration of the percussive potential of the human body.

For tickets and show details of MOMIX:Viva Momix as well as the full schedule and descriptions of the 2019-2020 Season visit dancehouse.ca 

The Dance Centre presents Sons of Sissy

Sons of Sissy

The Dance Centre presents the penultimate show in the 2018-19 Global Dance Connections series, Simon Mayer’s Sons of Sissy, April 4th to 8th.  The Austrian choreographer has created a deconstruction of traditional folk dances and music of the Alps, as well as masculine stereotypes. Four virtuosic male performers deploy their bodies, voices and instruments with skill, stamina and impeccable timing. The choreography breaks down Austrian dances and music to set the dancers free from convention and masculine stereotypes. Part weird folk music quartet, part experimentally playful ritual dance combo, the Sons of Sissy present a funny and touching take on their heritage and their masculinity. This creation by Simon Mayer, an Austrian performer, musician, and one of Europe’s most exciting and original young choreographers, premiered in 2015, and continues to tour internationally: this performance at The Dance Centre in Vancouver will be the Canadian premiere.

Simon Mayer’s Sons of Sissy plays at The Dance Centre, 677 Davie Street, from April 4 to 8, 2019, with an artists talk-back on April 5th.
For details and ticket information visit thedancecentre.ca
Note: the performance includes nudity.

Picks of the Week – March 20, 2019

Finally, Spring has arrived, with record breaking temperatures this week to wake us from our Winter slumber and get out and enjoy these picks of the week.

Conduct: The Gateway Theatre spring production, Gross Misconduct, tackles the topics related to the #MeToo and #TimesUp movements, running until March 23rd.

Blooms: What’s spring without flowers, Metropolis at Metrotown’s Grand Court is the site of Blossom at Metropolis, an awe-inspiring, one-of-a-kind art installation made up of more than 250,000 cherry blossoms, until March 31

Diva: If you missed it last night at the Chan Centre but you’re in Victoria tonight, catch Piaf! The Show, a musical celebration of the life and music of the legendary French chanteuse, Edith Piaf as performed by Anne Carrere at The Royal Theatre

Mclaren Senna

Cars: Does spring make you want to drop the top on a convertible and get out on the road in a new car? Find out what’s new on four wheels at the Vancouver International Auto Show, on until Sunday at the Vancouver Convention Centre

Dance: The Vancouver International Dance Festival keep the city moving as it brings world of dance to stages around town until March 30th.

Soldier: At the Arts Club Goldcorp Stage at BMO Theatre Centre, Hardline Productions’ Redpatch tells the story of indigenous soldiers in WWI, on stag March 7 – 31.

Composer: The 2019 Sonic Boom Festival brings four days of new music created by BC’s finest composers, performed by some of the province’s most talented musicians at Pyatt Hall and Orpheum Annex March 21 – 24

Musical: Until Saturday, you can stumble outta bed and head to The Blueshore at CapU to catch 9 to 5: the Musical, Dolly Parton’s musical adaptation of the 80s film.

Hot Brown Honey photo: Chrissie Hall

Hot: The bold, brash and beautifully entertaining troupe of Hot Honey Brown returns to The Cultch to turn up the heat, deliver lashings of sass and a hot pinch of empowerment, from March 15 – 30.

Francophone: Festival du Bois celebrates its 30th year of bringing francophone and French Canadian music and culture to BC audiences. Running from March 22-24, open to all ages at Mackin Park, Maillardville, Coquitlam

Puppet: The Cultch brings Mind of a Snail Puppet Co.’s Multiple Organism to the Vancity Culture Lab March 19-30, with nudity, projections, puppetry original music, and more to this eclectic work

Pucks: As the end of the season draws near, Vancouver Canucks play host to Ottawa tonight and Calgary on Saturday at Rogers Arena

Picks of the Week – March 13, 2019

As temperatures are finally creeping higher, and becoming more spring-like, Daylight Saving Time has delivered some extra daylight hours to fill with our picks of the week’s entertainment.

Ian Butcher as Deke photo: David Cooper

Conduct: The Gateway Theatre spring production, Gross Misconduct, tackles the topics related to the #MeToo and #TimesUp movements, running March 14th to 23rd.

Blooms: From March 5 to 31, Metropolis at Metrotown’s Grand Court will be the site of Blossom at Metropolis, an awe-inspiring, one-of-a-kind art installation made up of more than 250,000 cherry blossoms.

Soldier: At the Arts Club Goldcorp Stage at BMO Theatre Centre, Hardline Productions’ Redpatch tells the story of indigenous soldiers in WWI, on stag March 7 – 31.

Puck: The Vancouver Canucks play a pair of games at Rogers Arena this week; tonight vs NY Rangers and Friday vs New Jersey Devils.

Dance: The Vancouver International Dance Festival brings world of dance to the city’s stages until March 30th.

Metamorphosis photo: EDDI

Puppetry: Surrey Civic Theatres presents Metamorphosis, a unique piece of puppet theatre on March 13 at Centre Stage at Surrey City Hall

Choreography: DanceHouse brings Compagnie Marie Chouinard from Montreal to present Hieronymus Bosch: The Garden of Earthly Delights, on March 15 & 16, at the Vancouver Playhouse

Musical: Stumble outta bed and head to The Blueshore at CapU to catch 9 to 5: the Musical, Dolly Parton’s musical adaptation of the 80s film.

Bhangra: The Dance Centre’s popular Discover Dance! series celebrates the energy and exuberance of bhangra, with two performances by South Asian Arts on March 14th.

Sound: Until March 17th, Presentation House Theatre welcomes a unique production to the stage, Reverberations makes use of innovative sound technology with vintage apparatus, LP, 8-Track, Cassette & others to tell writer Brian Linds’ life story.

Hot Brown Honey photo: Dylan Evans

Hot: The bold, brash and beautifully entertaining troupe of Hot Honey Brown returns to The Cultch to turn up the heat, deliver lashings of sass and a hot pinch of empowerment, from March 15 – 30.

Comedy: Iconic 70s & 80s comedy legends Cheech and Chong reunited for their Light Up America tour and make a stop at Hard Rock Casino Vancouver on March 15th and then at River Rock Show Theatre on March 16th

Improv: Vancouver TheatreSports presents all things Irish at Shamrocks &
Shenanigans,
TheatreSports’ St. Paddy’s Day celebration, Sunday, March 17 at 7:30pm at The Improv Centre on Granville Island.

DanceHouse presents Compagnie Marie Chouinard

photo : Nicolas Ruel

This Friday and Saturday, DanceHouse welcomes the Vancouver premiere of Montreal–based Compagnie Marie Chouinard’s Hieronymus Bosch: The Garden of Earthly Delights to the stage. In honour of the 500th anniversary of the Dutch painter Hieronymus Bosch, the acclaimed choreographer Marie Chouinard creates a living canvas, embodying Bosch’s most infamous masterpiece. Accompanied by Louis Dufort’s original score and brimming with Chouinard’s visual wit, the performance unfolds in tableaus of wonderment and horror that combine erotic entanglement and stunning choreography.

photo : Sylvie-Ann Paré

“We are thrilled to welcome audience favourite Compagnie Marie Chouinard to the DanceHouse stage for their third appearance,” says Jim Smith, Artistic and Executive Director of DanceHouse. “Chouinard’s deep respect for the human body and its expressive potential is inspiring and thought-provoking. She consistently operates at the vanguard of her field, shattering boundaries with each of her astonishingly original and challenging works. When describing the creative process behind Hieronymus Bosch, Chouinard has expressed the joy she felt in paying homage to a master artist — I have no doubt audiences will be in awe of this exquisite creation.”

Since its premiere in the Netherlands in 2016, Hieronymus Bosch: The Garden of Earthly Delightshas garnered rave reviews. Inspired by Bosch’s 16th century triptych currently on display in Madrid’s Prado Museum, each act of this hallucinatory three-act work embodies one of the three panels of the painting: The Garden of Delights, Hell, and Paradise. Chouinard and her ten dancers breathe life into Bosch’s writhing figures and tortured souls with movement and images as video projections draw the audience deeper into this surreal world. Populated by enormous engorged strawberries, happily naked bathers, bisected bodies, bird–headed monsters, Adam, Eve, and apparently God himself, this work can be viewed simultaneously as a celebration of the pleasures of the flesh, and a dire warning of the consequences of indulgence.

DanceHouse presents Compagnie Marie Chouinard’s Hieronymus Bosch: The Garden of Earthly Delights, on stage at the Vancouver Playhouse  March 15 & 16, 2019 at 8pm. Find tickets and details online at dancehouse.ca

CONTEST: Swing your sweetheart at Vancouver Alpen Club’s February 9th Valentine’s Dance

Start your Valentine’s week by celebrating with the Vancouver Alpen Club’s Valentine’s Dance on February 9th.

The Vancouver Alpen Club kicks off the season of love with a dance party like only they can produce. Peter Juric & The Continentals, known for Vancouver Alpen Club’s rollicking Oktoberfest will keep you on your toes.

While working up a hunger on the ballroom dance floor partake in some of the comforting food from the Deutsches Haus kitchens, and what would a party at Vancouver Alpen Club be without beer!

You could enjoy the Valentine’s fun for yourself, enter to win a Vancouver Alpen Club Valentine’s Dance Prize Package including: 2 tickets to the dance, plus 2 food and drink voucher. A perfect package for date night!

To enter the contest:

Leave a comment below telling us the person who would take to the Vancouver Alpen Club Valentine’s Dance (1 entry)

Tweet the Following & Tag your Valentine (1 entry) :

RT to #Win an @AlpenClub #ValentineDance #prize package via @jminter http://ow.ly/pbER30nA7K5 #contest

Contest entries will be accepted until Noon on Friday February 8, 2019. One winner will be chosen at random. Please note, you must be 19 years or older to enter; Vancouver Alpen Club will require photo ID to access the ballroom dance.

Watch for Blood On The Dancefloor at SFU Goldcorp Centre for the Arts

Blood On The Dancefloor
photo: Bryony Jackson

Next week, SFU Goldcorp Centre for the Arts welcomes the West Coast premiere of ILBIJERRI Theatre Company’s Blood on the Dance Floor by Jacob Boehme. Presented by DanceHouse, SFU Woodward’s Cultural Programs, and Talking Stick Festival, Blood on the Dance Floor takes the stage February 6th to 9th.. Rooted in Aboriginal Dance, theatre, and storytelling, this award-winning work, is based on the deeply personal experience of performer Jacob Boehme, a renowned dancer, writer, and choreographer from the Narangga and Kaurna nations of South Australia. Blood on the Dance Floor unapologetically shares Boehme’s emotionally honest story of gay, Blak, and poz identities; and explores the struggle, heartache, and enduring spirit of someone living at the intersection of Aboriginal, queer, and HIV-positive communities.

“This work comes at a landmark moment in the history of HIV. With the increasing availability of preventative medication, HIV transmission rates are decreasing and life expectancy for those with the virus is increasing,” says Jim Smith, Artistic and Executive Director of DanceHouse. “However, in both Australia and Canada HIV rates in Indigenous communities are sadly on the rise. Blood on the Dance Floor is a poignant work that shines a powerful and captivating light on the stigma, the discrimination, and the silence that surrounds HIV/AIDS in Indigenous communities. But the work also embraces our need for community, our deepest fears, our secret identities, and what blood means to each of us — questioning how this most precious fluid unites and divides us.”

When Boehme was diagnosed with HIV in 1998, he reached out to his ancestors in search of answers. Blood on the Dance Floor pays homage to Boehme’s ancestors’ ceremonies through a series of vignettes combining video and sound design, choreography, and visceral narrative that transverses time, space, and characters. From a ‘gay elder’ grieving young men lost to disease and despair, to the current culture of hook-ups and casual sex, deeper moments sketched between Boehme and his father will underscore the legacy of racism, homophobia, and shame permeating the work with both personal and cultural history.

Written and performed by Melbourne-based Jacob Boehme, choreographed by Mariaa Randall, and directed by Isaacc Drandic Blood On The Dancefloor runs February 6 – 9, 2019 at SFU Goldcorp Centre for the Arts. For more information and tickets visit dancehouse.ca 

Warning: For audience members age 15 and up. Performance includes adult concepts (sexual & drug references), coarse language, and loud music.