DanceHouse presents Compagnie Marie Chouinard

photo : Nicolas Ruel

This Friday and Saturday, DanceHouse welcomes the Vancouver premiere of Montreal–based Compagnie Marie Chouinard’s Hieronymus Bosch: The Garden of Earthly Delights to the stage. In honour of the 500th anniversary of the Dutch painter Hieronymus Bosch, the acclaimed choreographer Marie Chouinard creates a living canvas, embodying Bosch’s most infamous masterpiece. Accompanied by Louis Dufort’s original score and brimming with Chouinard’s visual wit, the performance unfolds in tableaus of wonderment and horror that combine erotic entanglement and stunning choreography.

photo : Sylvie-Ann Paré

“We are thrilled to welcome audience favourite Compagnie Marie Chouinard to the DanceHouse stage for their third appearance,” says Jim Smith, Artistic and Executive Director of DanceHouse. “Chouinard’s deep respect for the human body and its expressive potential is inspiring and thought-provoking. She consistently operates at the vanguard of her field, shattering boundaries with each of her astonishingly original and challenging works. When describing the creative process behind Hieronymus Bosch, Chouinard has expressed the joy she felt in paying homage to a master artist — I have no doubt audiences will be in awe of this exquisite creation.”

Since its premiere in the Netherlands in 2016, Hieronymus Bosch: The Garden of Earthly Delightshas garnered rave reviews. Inspired by Bosch’s 16th century triptych currently on display in Madrid’s Prado Museum, each act of this hallucinatory three-act work embodies one of the three panels of the painting: The Garden of Delights, Hell, and Paradise. Chouinard and her ten dancers breathe life into Bosch’s writhing figures and tortured souls with movement and images as video projections draw the audience deeper into this surreal world. Populated by enormous engorged strawberries, happily naked bathers, bisected bodies, bird–headed monsters, Adam, Eve, and apparently God himself, this work can be viewed simultaneously as a celebration of the pleasures of the flesh, and a dire warning of the consequences of indulgence.

DanceHouse presents Compagnie Marie Chouinard’s Hieronymus Bosch: The Garden of Earthly Delights, on stage at the Vancouver Playhouse  March 15 & 16, 2019 at 8pm. Find tickets and details online at dancehouse.ca

DanceHouse opens with Borderline

Borderline: Kompanie Wang Ramirez
photo: Frank Szafinski

DanceHouse is launching their 2018/19 season with the Canadian premiere of France’s Company Wang Ramirez work, Borderline, playing October 26 and 27, 2018 at 8pm at the Vancouver Playhouse. 

Performed to layered rhythms and spoken word by percussionist, composer LACRYMOBOY (Jean-Philippe Barrios), along with choreographic duo Sébastien Ramirez and Honji Wang combining hip hop and contemporary dance with the movement of martial arts in exploration of democracy, immigration, manipulation, and the place of individuals in society.

“Coinciding with escalating nationalist rhetoric and contentious debates on immigration worldwide, Borderline’s open-ended examination of diasporic identity is more relevant than ever,” says Jim Smith, Artistic and Executive Director of DanceHouse. “As Canada is largely a country of immigrants, local audiences will resonate with the work’s illumination of the beauty and the challenges inherent in embodying more than one culture — honouring multiple traditions and languages, while forging a new blended identity of one’s own. Company Wang Ramirez has created a theatrical experience that will linger long after the curtain falls, and stimulate essential discourse about the future of democracy.”

Dancehouse Borderline
photo: Agethe Poupeney

Choreographed in 2013, Borderline consists of several thoughts, ideas, and moments that question the meaning of democracy. Wang and Ramirez are joined on stage by fellow dancers Louis Becker, Johanna Faye, and Saïdo Lehlouh, along with aerial rigger Alister Mazzotti. The five dancers, attached to cables perform a series of 11 intimate vignettes, with the rigger acting in concert with and against the dancers.

DanceHouse presents Company Wang Ramirez: Borderline, October 26 & 27, 2018 at 8pm, at the Vancouver Playhouse, 600 Hamilton Street. A pre-show talk with Borderline artists takes place at 7:15 each evening.

For tickets and further information about Borderline, visit dancehouse.ca

 

DanceHouse Wraps 10th Season with Dorrance Dance

This weekend, DanceHouse brought their 10th anniversary season to a close with a stellar performance from New York City based Dorrance Dance. The acclaimed tap troupe presented Triple Bill,  a retrospective trio of very different dance pieces that demonstrated the range of this talented company and its Artistic Director and founder Michelle Dorrance.

Jungle Blues – Dorrance Dance

Triple Bill opened with a swinging piece, Jungle Blues, reminiscent of the golden age of Jazz, using the Jelly Roll Morton song of the same name as its inspiration.  Coincidentally, from 1919 to 1921, Jelly Roll Morton had a residency at Pat’s Pub just a short distance away from the Playhouse. The rapid fire movement of the short piece introduced the 10 member company and set the stage for a rousing evening of dance.

Three to One – Dorrance Dance

Three to One, a Bessie (NYC Dance & Performance) Award winning work featuring Michelle Dorrance, Bryon Tittle, and Matthew West, was a very different piece. Modern and moody, incorporating electronic music; Nannou by Aphex Twin and Thom Yorke’s A Rat’s Nest. With just Ms Dorrance wearing tap shoes, while the other dancers were barefoot, Three to One gave a difference interpretation of what tap dance could bring to the stage.

Myelination – Dorrance Dance

The final and longest piece, Myelination, added live musicians Prawn til Dante, Donovan Dorrance and Gregory Richardson, with vocalist Aaron Marcellus, to the stage.  With the musicians on stage the beats of the dancers’ feet and the smooth music seamlessly crossed over into one sound.  Choreographed by Michelle Dorrance with improvisation by the company, Myelination incorporates more than just tap, bringing hip hop, modern dance and of course electric energy to the work.

Throughout the performances, just as the dancers improvised, the audience spontaneously erupted into applause and hoots of excitement to the thrilling works.

As Triple Bill closed out the DanceHouse season, they also introduced the 2018-2019 season which will include works from companies around the globe; Company Wang Ramirez (France), Akram Khan Company (UK), Jacob Boehme & Ilbijerri Theatre Company (Australia), Kidd Pivot (Vancouver), Compagnie Marie Chouinard (Montreal) and Momix (US).  Subscriptions are on sale now for the DanceHouse 2018-2019 season.