Vancouver Bach Festival Brings Back Bach

The Vancouver Bach Festival, presented by Early Music Vancouver (EMV) returns to Christ Church Cathedral and the Chan Centre for the Performing Arts, July 30 – August 9, 2019. 

J.S. Bach (1685 – 1750) is regarded as one of the greatest composers in Western musical history. His legacy includes some of the most beautiful and well-crafted music ever written. Almost three centuries after Bach’s passing, his vast catalogue of works is still revered, studied, and reinterpreted by music lovers across the globe.

Ensemble Les Boréades de Montréal
photo: Hugo B Lefort

Celebrating EMV’s 50th anniversary, this year’s festival features performances by many the most gifted artists from across Europe and North America. For their second annual ensemble-in-residence program, EMV welcomes Montreal’s internationally acclaimed Ensemble Les Boréades, members of the ensemble perform in multiple concerts throughout the festival.

“For our 50th anniversary we have spared no expense in order to bring our audiences a truly world-class offering of some of the finest artists working in period performance today,” says Matthew White, Executive and Artistic Director of EMV. “I think the personal, aesthetic, and intellectual connections one can make during a festival are the happy result of a ‘total immersion’ — multiple events in a shorter window of time provide a perspective and engagement that is otherwise near impossible to achieve. By offering concerts from a wide range of exciting composers like Strozzi, Shostakovich, Purcell, Faure, Poulenc, Chopin, Handel, Mozart, and of course, Bach, the opportunities to explore links and parallels are limitless.”

The 14-concert festival commences with Ensemble Les Boréades, bringing a spectacular two-night performance of J.S. Bach’s Complete Brandenburg Concertos at The Chan Centre. The Vancouver Bach Choir also partners with the festival for the first time to perform a programme featuring Faure’s beloved Requiem with a professional core of twenty of the region’s best professional singers, accompanied by award-winning organist Christina Hutten. This year’s Vancouver Bach Festival also collaborates with Vancouver Chopin Society, the Pacific Baroque Orchestra (PBO), and Pacific MusicWorks.

Vancouver Bach Choir
Photo: Sophie Song

Further highlights include the return of audience favourite soprano Amanda Forsythe with Pacific MusicWorks, in a performance of Handel’s early cantatas, as well as sopranos Suzie LeBlanc and Dorothee Mields’ dramatic interpretations of female composer Barbara Strozzi’s 17th century musings on love and loss. The festival’s popular weekday afternoon concert series also returns, offering diverse and delightful selections of acclaimed musicians and performers.

The festival will come to a conclusion with the presentation of Purcell’s Hail Bright Cecilia at the Chan Centre, featuring six internationally renowned vocal soloists and the PBO led by Alexander Weimann.

To complement the musical lineup, EMV will compliment the festival with an array of thought-provoking film screenings and expert talks, which audiences can enjoy with wine and refreshments in a relaxed atmosphere. 

For tickets and a more details and a complete schedule of all Vancouver Bach Festival events, visit: earlymusic.bc.ca 

Priscilla Queen of the Desert: The Musical

Currently in previews at The Palace Theater on Broadway, Priscilla Queen Of The Desert: The Musical is based on the 1994 movie of the same name.
The a rousing tale of three drag queens discovering themselves as they take a road trip across the Australian outback in the title character…a big pink bus.
While camping is a part of their journey across the country, CAMP is a big part of the show! While not in the traditional Broadway musical style, the show highlights some great choreography and vocals to some of everyone’s favourite pop songs.  Starting off with a rousing rendition of “It’s Raining Men” sung by ‘The Divas’, a threesome of ladies who sing the numbers when drag queens perform & lipsync; “Sempre Libre”, “Shake Your Groove Thing” “MacArthur Park” or “Girls Just Wanna Have Fun”.  A number of these big production numbers are ‘drag shows’ within the show and feature over the top costumes, in fact there are 320 costumes used in this production. From a movie that won the Oscar for Best Costumes, the musical has a lot to live up to and indeed it does.
Other smaller numbers, like “I Say A Little Prayer”, “Always On My Mind” and “We Belong” help the story along, featuring the vocal talents of the very capable casts.  Leads Will Swenson, Tony Sheldon and Nick Adams have spent the last 12 weeks in Toronto before bringing the production

Leads: Tony Sheldon, Will Swenson, Nick Adams

to Broadway. This trial has given Swenson and Adams time to grow into their roles and I’m sure it helped them get used to the small costumes and very high-heels, Sheldon has played Bernadette in every production since the show debuted in Sydney in 2006 so was already ‘wearing’ the role like a dress.
Familiar music, outstanding sets and costumes along with a good story make Priscilla Queen Of The Desert a feel good, dancing in your seat, sing-along (but please don’t) rousing good time!
If you get the chance to see it when it in previews or when opens on Broadway March 20th, or even in London’s West End, you will have a smile across your face when you leave.