Femme Series hits The Cultch this winter

This Winter, The Cultch is celebrating the power of female identifying voices, from Jan 15 – Feb 16, 2019, with its third annual Femme Series

Amplifying female identifying voices has always been important to Cultch Executive Director, Heather Redfern.
 “This is our way to say, ‘Come on, guys: you’ve got to pay attention to this,” Redfern told The Georgia Straight about the Femme Series in early 2018 “you have to do it deliberately. You have to commit to doing 50 percent of work [in your season] where the main thrust is from a female creation.”

This year’s Femme Series is bigger and better, than ever before, packed with special events—music, karaoke, new play-readings, and opportunities to mix and mingle. It continues the work from last year, with particular emphasis on deconstructing patriarchal language, expanding the limitations of the way gender is represented, and celebrating the intersectionality of the feminist perspective.

Femme Series Events, including Main Stage Productions:

Jan 11WROL (Without Rule of Law) by Michaela Jeffery—A new play reading presented by Touchstone Theatre, 8PM, Historic Theatre—FREE

Jan 12:  Soft Cedar Presents: Only a Visitor album release, with special guest Wallgrin—Only A Visitor is a quintet that blurs genre boundaries by straddling the line between art music and pop. Their new album, Technicolour Education, focuses on the Chinese diasporic experience in Vancouver through generations of immigrant stories. 8PM, Historic Theatre—$20

Jan 14: Women in the Arts Mixer5-7PM, Historic Theatre—FREE

Jan 14: Pitch, Bitch, and Ditch with Pippa Mackie and Kim HarveyJoin theatre creators and producers Kim Senklip Harvey and Pippa Mackie for an unforgettable night that puts the power in the hands of the patrons. 8-9PM, Historic Theatre—$10

Dakh Daughters
photo: Tetiana Vasylenko

Jan 15 – 19Dakh Daughters (Ukraine), York Theatre—Main Stage Season Production: Six actresses take musical instruments into their hands in order to create a life-affirming performance about love, freedom, and beauty which—at the end of the day—will save the world


Jan 22 – 26
Power Ballad, Julia Croft/Nisha Madhan (New Zealand), 8PM, Historic Theatre—Main Stage Season Production:  an angry, feminist, live art investigation of language and its sometimes hidden ideologies. Part performance lecture, part karaoke party, Power Ballad deconstructs gendered linguistic histories and rips apart contemporary language to find a new articulation of pleasure, anger, and femaleness.

Jan 25: Feminist Karaoke with Julia Croft, after Power Ballad, 9PM, Historic Theatre—FREE

Jan 27: Soft Cedar Presents: Kaumakaiwa Kanaka’ole, presented as part of CapU Global Roots Series—Kaumakaiwa brings to the stage an immense talent as a singer, chanter, and dancer as well as a deep understanding of her Hawaiian culture and her place as a modern, transgender (mahu wahine) Hawaiian in this contemporary world. She engages Indigenous thought to address today’s issues through music, chant, and sharing of spirit. 8PM, York Theatre—$40

Much Ado About Nothing
photo: Emily Cooper

Feb 5 – 16Much Ado About Nothing, Classic Chic Productions (Vancouver), Historic Theatre—Main Stage Season Production: Featuring an all-female cast, and set in a mesmerizing theatrical world, this deadly serious and sublimely ridiculous story—of soldiers in love and women confined by tradition—is a bold and playful romp through the extremes of desire and ambition, loyalty and redemption.