
Artwork by Kelli Clifton
Opening this Friday, City Opera Vancouver with Pacific Opera Victoria presents the world premiere of Missing, a profoundly moving and pivotal opera ripped from the headlines.
Focusing on the national crisis of missing and murdered, Missing is written by distinguished Canadian Métis playwright Marie Clements, with a gripping score by JUNO Award-winning composer Brian Current. The work confronts the tragedy of more than 1,200 missing and murdered First Nations, Inuit and Métis women and girls in Canada, and the affect it has on the communities and families – both First Nations and non-First Nations – dealing with their loss.

“With Missing we have the rare opportunity to inform about this crisis in a meaningful and unprecedented way,” says Charles Barber, Artistic Director, City Opera Vancouver. “We commissioned Marie Clements to write her first-ever opera libretto to honour the memory of each and every missing and murdered Indigenous woman. The poignant tale she so brilliantly conceived lends itself to opera, as the human voice is a powerful vehicle to draw deep emotion and introspection. It is the story of two women who represent so many – one who survives and one who does not, and it’s through their story we find hope and, for some, healing.”
“The story of Missing can’t answer the questions I’ve been asking my whole life, but I am hoping it will join other voices who are asking the same questions, telling their stories, and demanding an end to what should be unfathomable,” says Marie Clements, Librettist.
Missing is set between Vancouver’s Downtown Eastside and BC’s notorious Highway 16 – the Highway of Tears, where at least 18 women have vanished or been found murdered since 1969. Told through both English and the First Nations language of Gitxsan (widely spoken in First Nations communities along Highway 16), this chamber opera follows the fate of an Indigenous and non-Indigenous young woman whose lives become tragically intertwined. White girl ‘Ava’ becomes mysteriously drawn to the language, traditions and sufferings of the ‘unknown Native Girl’ with whom she crosses paths, and, thereafter, she finds herself in internal conflict as her community struggles toward reconciliation.
Missing takes the stage, November 3,7,9 & 11 at 8pm, and November 5 at 2pm at The York Theatre. Tickets are available online at thecultch.com