The ongoing journey through my TopTen must have discs continues: (Find disc 1, disc 2, disc 3)
Scissor Sisters – Scissor Sisters
This is probably one of the more recent additions on my list but I think will stand the test of time and still be worth a listen years from now too. In 2004 the Scissor Sisters burst onto the scene like the 70’s lovechild of Elton John and Cher. They were a refreshing departure from the other chart topping (middle of the road) artists topping the charts at the time. A blend of disco and glam rock (heavy on the glam) one can’t help but be sucked into the rhythms and beats. Their breakthrough single a disco infused cover of Pink Floyd’s “Comfortably Numb” is the best selling Pink Floyd cover in spite of being thought a sacrilege by diehard Floyd fans. Like other albums on my Top Ten this one also has a variety of sounds, although all the tracks have a 70’s tinge and disco hooks they range from thoughtful slow tracks like “Return to Oz” to twangy mid-tempo on “Take Your Mama” to full on floor-fillers like “Filthy/Gorgeous”. One thing is certain this album is never boring, there is always something fun and new coming up on the next track.
Yes, I will admit to loving this album when it came out…actually it was probably a cassette tape that I wore out in my car. Faith was George Michael’s first solo album following the success of Wham! and it marked a more mature, funky sound than the pure pop Wham! was famous for delivering. It debuted in scandalous fashion with the release of the single “I Want Your Sex” which despite (or possibly because of) censorship and controversy still managed to become a #2 single. Five more singles were released, 4 of them went #1 making him the first British male to have 4 chart topping singles off of one album. An appealing factors of this album is how diverse each of those singles and the rest of the tracks are from each other, “I Want Your Sex” sounds nothing like “Father Figure” which again sounds completely different than “Kissing A Fool”. You can listen to this album over and over without it becoming repetitive or boring (unless maybe, you keep playing the same track over and over and over and over like we did as kids)
11Aug2010 – Chromeo at Commodore Ballroom (I forgot my camera so you’ll have to get a taste via the Momma’s Boy video instead)
One word! Awesome! Such a fun show. I’d heard of and listened to Montreal based Chromeo a bit before and like their blend of retro style dance-pop so thought I’d take the opportunity to see them live. Boy, was I happy I did! My friend Grady and I ended up knowing a bunch of other people there and as soon as I tweeted that I was at the show…a few other friends started replying how much they liked Chromeo and wanted to be there…I had no idea they were so big (I’m not usually this clueless). We got there in time to catch the opening set by Holy Ghost , also a good act but cursed by not having as good a sound set up as the headliners. Once Chromeo took the stage to audience chants of Cho-ME-oh-WHOA-oh! It was a fun, bouncing, dancing, entertaining solid hour+ show. I can’t imagine anyone not having a good time. For one of our other friends this was his fourth time seeing them…I can see why. I will definitely be back and suggest you do the same!
I don’t know what it is or why but I loved this whole album from the very first listen. This was Blur’s 4th studio album and they’d had some great songs up to day but somehow everything on this one ‘clicked’ to produce an overall great hour of listening pleasure. This disc came out at the height of the Britpop wave of new young bands. With the simultaneous release of the first single from this album; “Country House” and rival Britpop icon’s Oasis’ single; “Roll With It”, the Battle Of Britpop (to see which band claimed the coveted #1 spot on that week’s chart) grabbed headlines all around the world, propelling both bands even further into stardom. In the end, “Country House” (in my opinion a far superior single) grabbed the number one spot ahead of number 2 “Roll With It”. This was the first of a string of great singles released from ”The Great Escape”; “The Universal” (one of my favourite songs…ever), “Stereotypes” and “Charmless Man” all followed “Country House” into the top 10 singles charts. For those singles alone this is a great album and worthy of being on my Top 10.
In no particular order we begin the journey with a soundtrack compilation.
Singles: Original Motion Picture Soundtrack An iconic soundtrack that perfectly captured the sounds of the times. Released in 1992, this compilation includes a who’s who of 90’s indie rockers. The early nineties saw the birth of the ‘grunge’ scene in Seattle and Pacific Northwest. This movie cemented the grunge movement’s place in the history and brought the music to the mainstream. Many of the artists featured on this soundtrack would go on to long term success and gain icon status over the years since; Smashing Pumpkins, Pearl Jam, Chris Cornell & Soundgarden to name a few. Every listen, to every song takes me back to my long-haired, plaid shirt, long-johns over shorts, Doc Martin wearing youth. If you were around in that era, you know what I mean!
Recently a friend asked me what my top ten “Desert Island Discs” would be. Our rules for picking our top ten must-have discs were that they had to be by one artist or were a soundtrack compilation (no other compilations allowed) and you had to be love every song on the album without ever skipping over a track.
It really made me stop and think about my music collection and tastes over the years. Of course I could have been all uber-cool music geek and named off a list of ten hipster albums that show up on list after list from the critics but for this exercise we wanted personal faves, not pop-cultural faves.
Before I expose my shockingly varied taste in music I thought I should put the question to you readers…what are your top ten must-have disc that you can’t part with in your record collections. Let’s share them, no judgment, just interest in knowing what spins your turntable! I’ll reveal my discs randomly over the next week and I hope to hear from you.
Friday night and thanks to a good friend I had two tickets to the Backstreet Boys show so May and I went off to our first show at the newly renamed Rogers Arena (the last event in the venue when named GM Place was Rhianna, see the recap here). There was two opening acts before BSB took the stage, first up Dan Talevski a Canadian YouTube discovery managed by Backstreet Boy’s Howie Dorough, who introduced him to the stage. I admit having to Google him when we saw his name on the bill but then I remember seeing some of his YouTube covers and thinking he was good. For his first ever concert performance and doing all original music you could definitely see there was potential for stardom from this young artist. Being on tour with veteran artists like BSB will help him learn from those who’ve gone through it all already. Although it may seem odd to call them veterans, BSB have been around for 17 years already. After a short 20 minute 4 song set Dan made way for the next act.
Shawn Desman followed on quite quickly with a very upbeat lively 45 minute set that really got the crowd warmed up for the main act. Being on his 3rd album, Shawn has enough familiar songs to get everyone up and dancing to his lively blend of pop/r&b. May and I had a few of those “I forgot he sings this?” moments. The bare stage, just him and 4 dancers, meant all eyes were on him the whole time, I was pleasantly impressed and surprised by his ability to fill the arena with his stage presence. I can really see him headlining and putting on a really good show in a midsize venue.
Now on to the main course…after the two warm up acts the mostly female audience was really ready for the Backstreet Boys. Onto the stage spotlight came a small blond boy of maybe 5 years who, mic in hand, introduced AJ, Howie, Nick and “my dad” …hard to believe there’s a next generation BSB already! As they came onstage, it seems the teenager in the girls still comes out at the mention or glimpse of the Boys (especially for Nick Carter). These are definitely more mature and experiences Boys than they were in their late 90’s heydays and their staging and performance reflect this maturity (and probably the economy as well). Gone were the massive pyrotechnics, elaborate staging and costumes…now it was just 4 men, 4 dancers and a DJ/percussionist. They still have the dance moves and ability to turn the girls (and I’m sure some boys) in the front rows into a screaming wreck with a wink and smile. The huge hits of their early years; Everybody, As Long As You Love Me, Shape Of My Heart, I Want It That Way are hugely welcomed by the audience. So much so that they their more recent, lesser selling singles, are received with an awkward silence from the crowd but they mix the old and new enough to not ‘lose’ the crowd for too long.
You can’t help but sing and bounce to the ‘hits’, they were so ubiquitous in their day everyone knows a BSB song and if you don’t you’re lying. During the 90 minute set there was 4 costume changes that were creatively filled on stage by 4 ‘movie trailers’ featuring each of the boys in place of an actor in a real trailer, to quite humourous affect. Howie replace Paul Walker in “The Fast and The Furious”, AJ replaced Brad Pitt in “Fight Club”, Brian channelled James Marsden from “Enchanted” and Nick filled in for Keanu Reeves in “The Matrix”. As they show began with them walking down a lonely street and onto the stage through the screen it wrapped up with them leaving through the screen and onto their next tour date, leaving a satisfied audience wanting a little bit more. The perfect way to end a show! Well done Backstreet Men!