Watch for Blood On The Dancefloor at SFU Goldcorp Centre for the Arts

Blood On The Dancefloor
photo: Bryony Jackson

Next week, SFU Goldcorp Centre for the Arts welcomes the West Coast premiere of ILBIJERRI Theatre Company’s Blood on the Dance Floor by Jacob Boehme. Presented by DanceHouse, SFU Woodward’s Cultural Programs, and Talking Stick Festival, Blood on the Dance Floor takes the stage February 6th to 9th.. Rooted in Aboriginal Dance, theatre, and storytelling, this award-winning work, is based on the deeply personal experience of performer Jacob Boehme, a renowned dancer, writer, and choreographer from the Narangga and Kaurna nations of South Australia. Blood on the Dance Floor unapologetically shares Boehme’s emotionally honest story of gay, Blak, and poz identities; and explores the struggle, heartache, and enduring spirit of someone living at the intersection of Aboriginal, queer, and HIV-positive communities.

“This work comes at a landmark moment in the history of HIV. With the increasing availability of preventative medication, HIV transmission rates are decreasing and life expectancy for those with the virus is increasing,” says Jim Smith, Artistic and Executive Director of DanceHouse. “However, in both Australia and Canada HIV rates in Indigenous communities are sadly on the rise. Blood on the Dance Floor is a poignant work that shines a powerful and captivating light on the stigma, the discrimination, and the silence that surrounds HIV/AIDS in Indigenous communities. But the work also embraces our need for community, our deepest fears, our secret identities, and what blood means to each of us — questioning how this most precious fluid unites and divides us.”

When Boehme was diagnosed with HIV in 1998, he reached out to his ancestors in search of answers. Blood on the Dance Floor pays homage to Boehme’s ancestors’ ceremonies through a series of vignettes combining video and sound design, choreography, and visceral narrative that transverses time, space, and characters. From a ‘gay elder’ grieving young men lost to disease and despair, to the current culture of hook-ups and casual sex, deeper moments sketched between Boehme and his father will underscore the legacy of racism, homophobia, and shame permeating the work with both personal and cultural history.

Written and performed by Melbourne-based Jacob Boehme, choreographed by Mariaa Randall, and directed by Isaacc Drandic Blood On The Dancefloor runs February 6 – 9, 2019 at SFU Goldcorp Centre for the Arts. For more information and tickets visit dancehouse.ca 

Warning: For audience members age 15 and up. Performance includes adult concepts (sexual & drug references), coarse language, and loud music. 

Dance House & Toronto Dance Theatre Celebrate Anniversaries

Toronto Dance Theatre

This weekend Vancouver’s Dance House welcomes cross-county compatriots Toronto Dance Theatre to the Vancouver Playhouse.  As Dance House celebrates their 10th anniversary, Toronto Dance Theatre celebrates their 50th with House Mix, a retrospective of the works by Artistic Director and Choreographer Christopher House.

Dance House has a goal to connect Vancouver with the world of dance, including the best of what’s right here in our country. 50 years is a feat for any organization, let alone an arts group, to celebrate, Toronto Dance Theatre assembled a collection of pieces from the last 3 decades to showcase the diversity in their company’s performances and artists. Their 90 minute showcase included;

Martingales – first performed November 2014 in Toronto
An energetic piece filled with rapid movements and playful rhythms.

Fjeld (excerpt) – first performed March 1990 in Toronto
A sculptural work inspired by the films of Ingmar Berman & Renaissance art.

Thirteen – first performed November 2017 in Bogota, Columbia
Revisiting an early Christopher House work from 1983, with the movements repurposed with a new score.

Echo Dark – first performed November 2015 in Toronto
A modern, dance set to a dark, heavy beat.

Toronto Dance Theatre

Vena Cava – first performed November 1998 in Toronto
A fast-paces, energizing show set to the music of composer Robert Moran.

Dance House continues to bring world-class dance performances, next up Betroffenheit, a collaboration between Kidd Pivot & Electric Company Theatre, March 14 – 17, 2018 at Vancouver Playhouse. Tickets online at dancehouse.ca