Arts Club announces 2019-2020 Season

Ashlie Corcoran, has revealed her second season as Artistic Director of The Arts Club Theatre Company. For the Company’s 56th season, Ms Corcoran has curated 17 works to play on the three Arts Club stages plus touring shows.

Amongst the works there are 5 collaborations with other Canadian theatre companies, 9 Canadian scripts, 2 world premieres, 2 Canadian premieres, 5 plays created by artists of colour, 8 plays by female playwrights and 135 roles for actors.
“I aim to offer eclectic programming that sparks a connection with the audience and to create theatre that celebrates local talent, emerging artists, and diversity, through this season and beyond”, Ashlie Corocoran says of the season.

Stanley Industrial Alliance Stage

A THOUSAND SPLENDID SUNS, by Ursula Rani Sarma, book by Khaled Hosseini
The gripping story of two Afghan women, based on the best-selling novel
September 12–October 13, 2019
In partnership with the Royal Manitoba Theatre Company

WINTER MUSICAL, to be announced Spring 2019
A family-friendly musical masterpiece for the holidays
November 7, 2019–January 5, 2020

NOISES OFF, by Michael Frayn
The classic play-within-a-play farce
January 23–February 23, 2020

CARRIED AWAY ON THE CREST OF A WAVE, by David Yee
A boundary-pushing theatrical journey
March 19–April 19, 2020 

SUMMER MUSICAL, to be announced Spring 2019
A big-hearted modern musical
May 21–July 5, 2020

Granville Island Stage

THE BIRDS AND THE BEES, by Mark Crawford
Love, lust, beekeeping, and the artificial insemination of turkeys meet in this raucous comedy
September 26–October 26, 2019

MISS BENNET: CHRISTMAS AT PEMBERLEY, by Lauren Gunderson and Margot Melcon
The festive Pride and Prejudice follow-up returns
December 5, 2019–January 4, 2020

CIPHER, by Ellen Close and Braden Griffiths
Hipster noir meets corporate thriller—an investigation of a decades-old Vancouver Island cold-case murder
February 6–March 7, 2020
In partnership with Vertigo Theatre 

‘DA KINK IN MY HAIR, by Trey Anthony
A resonant musical celebration of women of colour, set in a vibrant Toronto hair salon
April 16–May 16, 2020

PETER PAN GOES WRONG, by Henry Lewis, Jonathan Sayer, and Henry Shields
A side-splitting farce for the whole family
June 25–August 22, 2020
The Mischief Theatre Production in partnership with the Citadel Theatre

Goldcorp Stage at the BMO Theatre Centre

COST OF LIVING, by Martyna Majok
The 2018 Pulitzer Prize-winning drama about caretakers and the realities of disability
October 10–November 3, 2019
In partnership with Citadel Theatre

IT’S A WONDERFUL CHRISTMAS-ISH HOLIDAY MIRACLE, by Marcus Youssef
A new play that embraces the love and foibles of family
November 21–December 22, 2019

THE WEDDING PARTY, by Kristen Thomson
A ringside seat for all the laughs, debauchery, disagreements, and love at a family wedding reception
February 27–March 22, 2020
In partnership with Prairie Theatre Exchange

EVERY BRILLIANT THING, by Duncan MacMillan
A daughter aids her mom through depression by listing everything worth living for, with help from the audience
April 2–April 26, 2020

On Tour

BED & BREAKFAST, by Mark Crawford
A charming comedy about being out and finding home
October 3–December 1, 2019

THE SHOPLIFTERS, by Morris Panych
Comic mishaps for society’s haves and have-nots
January 9–February 9, 2020

KIM’S CONVENIENCE, by Ins Choi
The wildly popular, award-winning play—now a CBC TV series
February 13–March 15, 2020

Circle Game : Reimagining the music of Joni Mitchell at Firehall Arts Centre

The songs of Canadian legend Joni Mitchell come to The Firehall Arts Centre in Circle Game : Reimagining the music of Joni Mitchell.

Circle Game photo: Emily Cooper

In celebration of her recent 75th birthday, the revival of Circle Game pays tribute with a couple dozen tunes rearranged and mixed from Joni Mitchell’s iconic songbook. Co-creators Andrew Cohen and Anna Kuman forgo any storyline, presenting the music in a series of vignettes built around each song, some with a bit of drama, others feature Kuman’s choreography, while others are straight ahead performances. Like the collection of songs from a decades long career, Carolyn Rapanos’ set design it a beautifully curated display of musical paraphernalia.

Circle Game photo: Emily Cooper

The six multi-talented performers; Samantha Bourque, Kimmy Choi, David Z. Cohen, Benjamin Millman, Scott Perrie and Adriana Ravali, dance, sing and perform all the instrument throughout the 2 hour show. The show takes some time to find its rhythm, but once I stopped trying to find a storyline, I was able to let go and just enjoy each song individually. Andrew Cohen’s arrangements have moments reminiscent of Godspell showtunes, a garage-band’s all out jam sessions, other times acapella, and then parts that felt like a 70’s variety show, bringing something for everyone to the stage. Circle game changes the tempo and pace on many of the classic Mitchell tunes, but some of her most recognizable classics get respectful treatment in the second act, with beautiful renditions of River, Both Sides Now, and Big Yellow Taxi to close the show and leave the audience with the memories of their memories of Joni Mitchell’s legacy.

Circle Game photo: Emily Cooper

Circle Game : Reimagining the music of Joni Mitchell plays at The Firehall Arts Centre, 280 East Cordova St, until February 9, 2019. Visit firehallartscentre.ca for information, showtimes and tickets.

The Sun Will Come Out when Annie takes the stage

Cast of Align Entertainment’s Annie
photo: Emily Cooper

The Sun Will Come Out when Align Entertainment presents the positively perky adventures of everyone’s favourite little orphan. Annie takes the stage at the Michael J. Fox Theatre in Burnaby, February 1–16, 2019.  Following the successful fall production of A Christmas Story: The Musical, Align Entertainment closes the 2018/2019 season with the story of that plucky, optimistic red-haired 11-year-old, Annie.

The Tony and Grammy Award-winning musical is set against the backdrop of the Great Depression, throwing into sharp relief the beauty of the spirited character’s hopefulness in dire times. Featuring a fresh cast of young local talent, the production is a heart-warming antidote to the long grey days of winter.

Annie is a touching and timeless musical with a strong core message that money can’t buy you happiness,” says director and co-producer Chad Matchette. “Oliver Warbucks is the richest man in the country and yet his life is unfulfilled until he meets Annie. This delightful little girl reminds us about the power of love and inspires people to hold onto their dreams against all odds.”

The original Broadway production from 1977 is based on Harold Gray’s widely read comic strip Little Orphan Annie. The 1924 comic was popular for its poignant political commentary, and subsequent adaptations maintained this feature. The story follows the adventures of Annie, who longs to find the parents who left her as a baby on the steps of a New York City orphanage. Tired of matron Miss Hannigan’s cruelty, Annie escapes into the city and befriends the abandoned but loveable mutt Sandy. Upon her return, she is selected to spend Christmas with local billionaire Oliver Warbucks. He is soon won over by her bright outlook and even introduces her to President Franklin D. Roosevelt. Along the way, Annie helps inspire the New Deal, learns the truth about her parents, and finds a loving home to call her own.  

Annie played by Camryn Macdonald
photo: Emily Cooper

With a book by Thomas Meehan (The Producers, Hairspray) and lyrics by Charles Strouse (Bye Bye Birdie), Annie earned seven Tony Awards and seven Drama Desk Awards, and brought the world the iconic songs “Tomorrow” and “It’s the Hard Knock Life” and others. Align Entertainment’s production brings the musical to life with a live 12-piece orchestra under the direction of Kevin Woo and a talented ensemble of a dozen young actors, who were selected from auditions by more than 100 children. 

Several cast members will be making their Align Entertainment debut, including the bright-eyed Camryn Macdonald (Veruca in Delta Youth Theatre’s Willy Wonka Jr.) in the role of Annie and Arne Larsen (Dom Claude Frollo in Secondary Characters’ The Hunchback of Notre Dame) as Oliver Warbucks. Erin Matchette (Mrs. Schwartz in Align’s A Christmas Story) will play Miss Hannigan, and Laura Cowan (Fairy Godmother in Theatre Under the Stars’ Cinderella) will be Grace Farrell, Warbucks’ assistant who first finds Annie. Next week, Align Entertainment begins the Search for Sandy, auditions for the real dog to fill the role of Sandy the dog. If you think your pooch can fill the role, check out alignentertainment.ca for audition information.

Align Entertainment’s Annie runs February 1 – 16, 2019 at Michael J Fox Theatre, 7373 MacPherson Ave. Burnaby

It’s A Wonderful Life brings music to Gateway Theatre

Gateway Theatre brings the holiday tradition, It’s A Wonderful Life, to the stage, until December 31, 2018.

Based on Frank Capra’s 1946 film, Peter Jorgensen has adapted a new musical production with music from the 1920s, ‘30s, and ‘40s by some of the greatest songwriters of the period, from George and Ira Gershwin to Kurt Weill.  The Gateway Theatre also brings a wonderful 10-piece orchestra, conducted by Angus Kellett, onstage to fill the theatre with the live sounds of the holiday favourites and Broadway classics. 

Jorgensen has created a playlist for It’s A Wonderful Life that is bookended by the familiar Christmas carol “It Came Upon The Midnight Clear” and “Auld Lang Syne”, and in between a selection of tunes that will be familiar to some, and brand new to others.  Nico Rhodes’ arrangements and orchestrations are lush and help to create the mood of the scenes, the songs’ lyrics fit with the spirit of the scene but don’t necessarily do much to move the already slow story along.  As with the film, the story is a slow burn, at once nostalgic but also melancholy, until the last scenes reveal with the heartfelt message about family and friends.

The story starts with George Bailey’s (Nick Fontaine) life at a crossroads and recaps what leads him to this point. Fontaine has a commanding stage presence and voice, but rather than making George Bailey his own, it felt like he was trying to emulate the great Jimmy Stewart. While he found a similar voice to Stewart, he didn’t quite nail the emotional range, instead seemed to be perpetually perturbed.  As George’s wife, Mary, Studio 58 student Erin Palm is a stand-out in her Gateway debut, charismatic and possessing a voice beautifully suited for the standards. Just like we could all use an angel on our shoulders, It’s A Wonderful Life was at its best when Clarence, the Angel, played by Greg Armstrong-Morris, was involved.  Armstrong-Morris brought a fun, kind-hearted portrayal of the wingless angel.  Gateway Theatre’s Artistic Director Jovanni Sy does triple-duty as George Bailey’s father, the sheriff of Bedford Falls and the villainous Mr Potter.  The evil Potter allowed Sy to have some fun with the egomaniacal character, he just needed a moustache to twirl.

Fans of It’s A Wonderful Life, the film, will find something new to add to their holiday repertoire with this new musical adaptation.  It’s A Wonderful Life, the musical plays at Gateway Theatre, 6500 Gilbert Road, Richmond, until December 31, 2018.

 

Picks of the Week – December 5, 2018

December has arrived and the Holidays are in full swing, Hanukkah is upon us and Christmas is just around the corner. Along the way fill your entertainment stockings with this great line-up of picks of the week

Dorothy & friends are off to see the Wizard in
East Van Panto – Wizard of Oz
photo: Emily Cooper

Wiz: Take off to see the Wizard as The Cultch and Theatre Replacement present East Van Panto: The Wizard of Oz at the York Theatre until January 6th.

Bands: Indie rock acts Yukon Blonde and The Zolas take to the stage at The Commodore Ballroom on Wednesday night.

Pride: Catch the follow up to Pride & Prejudice with Miss Bennet : Christmas at Pemberley at The Arts Club Granville Stage until December 30

Date: Until December 30, spend your date night watching Blind Date at The Arts Club Goldcorp Stage, each night is a unique show as a new audience member is the date in each show.

Life: Find out what happens when the bell rings as Gateway Theatre presents It’s a Wonderful Life, set to the music of the ’20s, ’30s and ’40s, running December 6 to 31st

Whimsy: This week the award winning duo, James & Jamesy’s O Christmas Tree  visit Maple Ridge The ACT and Chilliwack Culture Centre with a Christmas cuppa brimming with holiday whimsy, cheer, and much more.

Merry Kiss-mas

Improv: Vancouver Theatresports presents Merry Kiss-mas – an improvised holiday comedy, parodying all the inane clichés and funny, awkward moments you’d expect to see in a holiday TV special or film at Improv Centre until Christmas Eve

Lights: Light up your nights by visiting some of the Festival light displays around the city like; Van Dusen Festival Of Lights, Capilano Suspension Bridge Park Canyon Lights, Glow Langley, and more

Bach: Early Music Vancouver presents Bach Collegium Japan, joined by acclaimed British soprano Joanne Lunn, performing the works of Bach, Handel, Vivaldi, on December 9th at the Chan Centre for the Performing Arts at UBC

Dance: Ballet BC presents the Royal Winnipeg Ballet Nutcracker at Queen Elizabeth Theatre for three days only, December 7,8 & 9

Pucks: On Saturday evening, the Vancouver Giants return to their old home at the Pacific Coliseum to host the Victoria Royals and the annual Teddy Bear Toss

Choir: The Vancouver Men’s Chorus annual Making Spirits Bright brings some festive holiday music to St Paul’s Anglican Church in the West End on Saturday and Sunday.

Gender: Pi Theatre presents the Canadian premiere of American playwright Taylor Mac’s Hir, exploring the dynamics of a family dealing with PTSD, gender politics & more, until Saturday December 8th, at Vancouver Civic Theatre’s Annex.

The Best Christmas Pageant Ever

Pageant: Havana Theatre on Commercial Drive is the location of the Best Christmas Pageant Ever...or is it? Find out yourself December 6 – 16th.

Drama: Seven Tyrants Theatre presents John Patrick Stanley’s Pulitzer Prize winning drama Doubt : A Parable from November 23 – December 14

Mumbai: The acclaimed play Bombay Black, by Anosh Irani, features a poetic text, bold theatrical imagery and a gritty twist.  returns to Vancouver with a run at The Firehall Arts Centre until December 15th.

Belle:  Join your favourite characters as a tale as old as time, Disney’s Beauty and the Beast, returns to the Arts Club Stanley Industrial Alliance Stage,  until January 6, 2019

Juniors: For a different take, it’s a tale as young as time when Children’s Theatre of Richmond presents Beauty and the Beast Jr at the Massey Theatre, December 7-8.

Symphony: Saturday night, Vancouver Bach Choir and Surrey City Orchestra join forces to present Handel’s Messiah at the Bell Centre in Surrey

Market:  The Vancouver Christmas Market celebrates its 9th year as it returns to Jack Poole Plaza, until December 24, 2018

Puppet: There’s some marionette merriness as Ronnie Burkett’s Daisy Theatre presents Little Dickens, a take on the beloved holiday classic, A Christmas Carol, at The Cultch Historic Theatre until December 22nd.

Shopping: Tonight, Vancouver Foodster’s Holiday Market brings you tastes and tidbits from around town, then this weekend check out Got Craft! and Shiny Fuzzy Muddy, just some of the many Christmas Craft Markets happening around Metro Vancouver this weekend

Aurora Winter Festival

Festival: Aurora Winter Festival, Canada’s Largest Winter Festival, brings a a skating rink, a tube park, light displays, Christmas Market, amusement rides, food gardens, and many more activities to Concord Pacific Place November 23 – December 30

 

East Van Panto: Wizard of Oz is a Wicked good time

Dorothy & friends are off to see the Wizard in
East Van Panto – Wizard of Oz
photo: Emily Cooper

Returning to the York Theatre for the sixth year, Theatre Replacement’s East Van Panto : Wizard of Oz, paves the holiday road with laughter.  Until January 6, 2019 follow the yellow brick road to East Van as Dorothy and friends try to make it home to Poco.

Directed by Stephen Drover, the family friendly (not recommended for under 5 years) over-the-top musical combines the talents of playwright Marcus Yousef, choreographer Amanda Testini, and musician Veda Hille, who masterfully creates new lyrics for familiar pop tunes, with hilarious results.

East Van Panto
Christine Quintana stars as Dorothy in East Van Panto – Wizard of Oz
photo: Emily Cooper

Dorothy, skillfully played and beautifully sung, by Christine Quintana, lives in a Poco tiny house with her Aunts when the pipeline bursts and she is swept away to East Van, the progressive,  urban landscape of her dreams.  In order to make her way back to her beloved Aunts she must take that familiar journey to visit the Wizard. Along the way she meets a cavalcade of colourful, and familiar, West Coast characters, including a surprising Wicked Witch of the West, played by Craig Erickson.  Erickson and the supporting cast; Dawn Petten, Raugi Yu,  and Kayvon Khoshkam bounce between characters with gusto. Studio 58 students Angela Chu, Dylan Floyde, and Mallory James fill the chorus roles with the help of a rotation of adorable child actors.

In the long tradition of the British pantomime, the audience interaction adds to the fun and entertainment. The show starts with ‘the rules’,  which after this many seasons the audience has come to know, when to boo, when to cheer, show sympathy, and when to heckle the villain.  The joy of the unrestrained younger audience members’ participation brings an extra smile every year.

Craig Erickson as The Wicked Witch of the West
East Van Panto – Wizard of Oz
photo: Emily Cooper

The writing keeps the show accessible for all ages, everyone will find laughter in the slapstick, jokes or situations.  This year’s show is a bit more political than most, resulting in some very topical humour but also meaning some jokes might not land well depending on your leanings.  The Vancouver insider jokes are often told with an East Van-centric point of view, mocking other neighbourhood stereotypes as well as some Commercial Drive self-deprecating humour.  It’s hard to walk away from East Van Panto without having laughed and smiled for the previous two hours.

East Van Panto : Wizard of Oz plays at The Cultch York Theatre, 639 Commercial Driver until January 6, 2019. Showtimes, information and tickets available online at thecultch.com

Albireo, A New Musical, Shines

Like it’s namesake star, Albireo, a new work by Annahis Basmadjian, shines with potential. Albireo was brought to the Red Gate Revue Stage by producers Rushed Productions Ltd with support from UBC Players Club.  Liam Lazenby directs a cast of experienced and new to the scene actors and singers to bring Annahis Basmadjian’s light musical-comedy to life.

Telling the story of two estranged brother’s Charon Chambers (Colton Fyfe) and Wriker Writeov (Jed Weiss), who we learn are half-siren/half-human. Orphaned by their siren mother and deaf-father (therefore could not succumb to the siren song), the brothers fended for themselves using their power for a life of crime.  When Chambers took another young human orphan, Holly, under his wing to settle down and raise her, he left behind his brother and their grifter ways.  When Writeov finds Chambers and Holly about to host a party, some comedic and dramatic events occur that push the brothers to work together to save their family.  Realizing that the bonds of family make their power stronger they are able to fend off a rival.

Being sirens, music is a vital part of Chambers and Writeov’s lives and therefore the play.  Basmadjian has crafted some catchy, pop tunes for Alberio and witty dialogue to go along with them.

The actors’ varying skill levels come into play during the performance, creating a uneven rhythm to the musical as the players move between flat out comedy and dramatic portrayals of their characters.  Seasoned musical-theatre performer Colton Fyfe brings a fully developed character and a more dramatic turn to his Chamber.  Whereas, recent graduate Jed Weiss, in his theatre debut, brings an erratic Jim Carey-style to his comedic portrayal of Writeov.  Having more stage experience performing with his band, his singing and guitar playing skills excel.   Some of the ensemble also stand out, for the wrong reasons, lampooning or murmuring too loudly drawing attention to the background.  On a small space, like the Revue stage, it doesn’t take much to distract and requires creativity from the director, managers and cast to avoid excess noise and balanced performance volumes.

While this Rushed Production Ltd production has ended, if we are lucky enough, we will get to see Alberio again with different companies and stages as the musical continues to develop over the year, it definitely has the DNA for success.